белый и богатый


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белый и богатый

Статья написана 8 декабря 2010 г. 11:58

I recently read Best American Short Stories 2010, edited this year by Richard Russo who is one of my favorite writers. Straight Man?Empire Falls? Amazing. My expectations were high. I generally enjoy reading BASS because it gives me a sense of what the literary establishment considers “the best” from year to year. I may not enjoy all the stories in a given year’s anthology but I am always impressed by the overall competence in each chosen story. I don’t think I’ve ever read a story in BASS and thought, “How did that get in there?” At the same time, I often find the BASS offerings to be shamefully predictable. The stories are often sedate and well-mannered even when they are supposedly not. I don’t see a lot of risk taking and more than anything else, I don’t see a lot of diversity in the stories being told. This year, though, BASS really outdid itself. Almost every story in the anthology was about rich or nearly rich white people to the point where, by the end of reading the book, I was downright offended. I know people will disagree with my thoughts here and that’s fine, but I really think shit is fucked up in literary publishing. Amazing.

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I glanced at the table of contents for the Russo volume when it came out, and it seemed to me unadventurous, so I didn't read it.  Previously, I'd been very excited when Salman Rushdie was announced as a guest editor, but when I saw his volume last year -- a volume that could have been called Best American Short Stories from Harper's and The New Yorker, Plus a Couple Extras -- I was appalled.

как всегда все сводится к тому, кем написано, а не как написано.





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